In the cavern-like darkness of the arcade, the neon phosphor-glow of the screen beckons you close. Drawn to the dancing pixels like a moth to a flame, digging deep in your pocket you pull out a shiny coin and thumb it into the slot as the electronic siren sings the fanfare that marks your arrival. One hand on the joystick, the other splayed across the control buttons, your pulse begins to quicken. Ready Player One Press StartYou've barely begun but suddenly the discordant bleeps are trumpeting your failure as your 8-bit adventure comes to an abrupt end. At least in the world of the video arcade you get a second chance. But what is the true price you pay when you make a pact with the digital demon? There's always another coin, an extra life to be earned, a second chance...Isn't there?GAME OVERA dozen stories of creeping dread and savage horror inspired by the humble amusement arcade and the classic coin-ops of yesteryear. Twelve tales to chill your blood by twelve masters of the malevolent and the macabre.Just keep reminding yourself, it's only a game...Isn't it?

The Oxford Handbook of Carl Schmitt collects thirty original chapters on the diverse oeuvre of one of the most controversial thinkers of the twentieth century. Carl Schmitt (1888-1985) was a German theorist whose anti-liberalism continues to inspire scholars and practitioners on both the Left and the Right. Despite Schmitt's rabid anti-semitism and partisan legal practice in Nazi Germany, the appeal of his trenchant critiques of, among other things, aestheticism, representative democracy, and international law as well as of his theoretical justifications of dictatorship and rule by exception is undiminished. Uniquely located at the intersection of law, the social sciences, and the humanities, this volume brings together sophisticated yet accessible interpretations of Schmitt's sprawling thought and complicated biography. The contributors hail from diverse disciplines, including art, law, literature, philosophy, political science, and history. In addition to opening up exciting new avenues of research, The Oxford Handbook of Carl Schmitt provides the intellectual foundations for an improved understanding of the political, legal, and cultural thought of this most infamous of German theorists. A substantial introduction places the trinity of Schmitt's thought in a broad context.

Poetry. Latino/Latina Studies. Bilingual Edition. Translated from Spanish by John Oliver Simon, Patrick Madden, and Steven Stewart. Edited by Antonio Ochoa. Eduardo Milan was born in 1952 in Rivera, Uruguay, a small city that shares a street with the city of Santana do Livramento in Brazil. He lost his Brazilian mother when he was only a year-and-a-half old. As a teenager his father sent him to live in the countryside, an experience that transformed the shy boy into a confident young man. During the repressive military dictatorship of the 1970s and '80s his father was arrested for his involvement in the national resistance movement known as the Tupamaros. He was given a twenty-four-year prison sentence. The name of the prison where he was sent was Libertad (Freedom). After living in fear for several years following his father's arrest, Milan went into exile in Mexico in 1979 where he still lives, in a white house with a fig tree in the garden. From the late '80s to the early '90s he wrote a column on contemporary Latin American poetry for the journal Vuelta, which was directed by Octavio Paz. In 1997 he was awarded one of the most prestigious poetry awards in Mexico, the Aguascalientes prize, for his book of poems Alegrial. This volume is the first significant selection of his work in English.

Elsa Cross (born 1946) is one of Mexico's most significant contemporary poets, and this is the first full-length collection of her work in English - a long overdue but welcome opportunity for Anglo-American readers to get a sense of the full breadth of her work. The work selected for this volume concentrates on her longer poems, which are at the core of Elsa Cross' work - ranging from the remarkable "Bacchantes", which dates from the late '70s and early '80s and offered here in full, through "Malabar Canto" - suffused with the spirit of India - to the odes, dithyrambs and elegies of the recent Greek-inflected works. Elsa Cross' work is typified by its strong metaphysical orientation, coupled with a dazzling surface and remarkable imagery, and offers the English-speaking reader a new experience. A poetry to be savoured, thanks to the efforts of the five translators at work here, all of whom worked closely with the author to bring these poems successfully across the language barrier.

This title provides an authoritative and timely review of the OLM experiment - its achievements, its weaknesses, and its ongoing relevance for the Church today. Ordained Anglican ministry is changing rapidly. Soon the majority of clergy are likely to be volunteers and, especially in rural areas, female. All mainstream Churches recognise that new contexts need new forms of ministry. Ordained Local Ministers (OLMs) are priests specifically called out by their local congregation and ordained to minister in that locality. Half the dioceses in England and elsewhere in the Anglican Communion including Australasia, Scotland and North America have established formal schemes to enable this type of ministry. Some dioceses believe the process has helped to revitalise parishes and raise the spiritual temperature of congregations. Others have called a halt, believing their schemes have somehow gone wrong or have not 'delivered'. The time has come for a calm assessment of available evidence about an experiment into which the Church has poured considerable time, effort and money over the last twenty years. Does it have ongoing value, or is it just one more bright idea that has flourished for a season and has now had its day?

French Feminism Reader is a collection of essays representing the authors and issues from French theory most influential in the American context. The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. The contributors represent the two trends in French theory that have proven most useful to American feminists: social theory and psychoanalytic theory. Both of these trends move away from any traditional discussions of nature toward discussions of socially constructed notions of sex, sexuality and gender roles. While feminists interested in social theory focus on the ways in which social institutions shape these notions, feminists interested in psychoanalytic theory focus on cultural representations of sex, sexuality and gender roles, and the ways that they affect the psyche. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique Wittig, Michele Le Doeuff, Julia Kristeva, Luce Irigaray, and Helene Cixous.

French Feminism Reader is a collection of essays representing the authors and issues from French theory most influential in the American context. The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. The contributors represent the two trends in French theory that have proven most useful to American feminists: social theory and psychoanalytic theory. Both of these trends move away from any traditional discussions of nature toward discussions of socially constructed notions of sex, sexuality and gender roles. While feminists interested in social theory focus on the ways in which social institutions shape these notions, feminists interested in psychoanalytic theory focus on cultural representations of sex, sexuality and gender roles, and the ways that they affect the psyche. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique Wittig, Michele Le Doeuff, Julia Kristeva, Luce Irigaray, and Helene Cixous.

Endings are not just singular moments in time, but the outcomes of a process. And whatever a book's conclusion, its form has a history. Literary Conclusions presents a new theory of textual endings in eighteenth-century literature and thought. Analyzing essential works by Gotthold Ephraim Lessing, Johann Wolfgang von Goethe, and Heinrich von Kleist, Oliver Simons shows how the emergence of new kinds of literary endings around 1800 is inextricably linked to the history of philosophical and scientific concepts. Simons examines the interrelations of Lessing's literary endings with modes of logical conclusion; he highlights how Goethe's narrative closures are forestalled by an uncontrollable vital force that was discussed in the sciences of the time; and he reveals that Kleist conceived of literary genres themselves as forms of reasoning. Kleist's endings, Simons demonstrates, mark the beginning of modernism. Through close readings of these authors and supplemental analyses of works by Walter Benjamin, Friedrich Hoelderlin, and Georg Wilhelm Friedrich Hegel, his study crafts an elegant theory of conclusions that revises established histories of literary genres and forms.